Switzerland-based DJ whose project "From La Becque with love" weaves releases from La Becque Editions into attentive, listening-focused sets moving between experimental, electronic and contemporary music.

Composer and interdisciplinary artist (Berlin / NYC) working with feedback systems, hand-blown glass instruments, and multichannel sound. Her latest album All Things Might Spill (Shelter Press, 2026) has been presented at MoMA, the Royal Academy of Arts, and Café OTO.

Lebanese musician, composer, and musicologist (Beirut / Paris) exploring the relationship between electroacoustic experimentation and Arabic musical traditions. Her fifth album Wishah (2023, Touch) centres on a digital extension of the oud developed through her research project Taïma.

Ukrainian-born pianist (Sweden) renowned for his continuous music technique — sustaining over nineteen notes per second per hand, letting harmonics accumulate until a single instrument fills the space of an orchestra.

Paris-based founder of Latency, an independent label and curatorial platform between contemporary electronic music and experimental composition. Currently musical supervisor at Fondation Cartier.

Essential voice (Nashville / Madrid) in contemporary folk who reshapes Appalachian balladry and traditional song into spare, exploratory forms, across releases for Drag City, Bo' Weavil, and Fire Records.

Guitarist and composer (Oslo / Berlin) working exclusively within just intonation, using real-time retuning and e-bows to produce round, sine wave-like tones in harmonious fusion.

Danish cellist, singer, and composer (Copenhagen) whose work moves freely between classical composition, pop, and open improvisation. Her album Vind (2023, 15 love) is built around solo cello with digital processing.

Musician and researcher (Brussels) who has devoted years to studying the aulos, a Greco-Roman double-pipe extinct for over a millennium, applying drone and post-minimalist composition to give the ancient form a contemporary voice.

Violinist and composer (Brussels) working close to the threshold between fragility and force. Her album Chronotopia (Hallow Ground, 2025) was selected by The Quietus as one of the best albums of the year.

Bastien's (Paris) self-built Meccano orchestras animate instruments from across the world; Laurain's solo practice treats three trumpets as resonant space rather than melodic instrument. Their duo album CNT was released in 2025.

Iranian percussionist and composer (Berlin) who has developed over thirty new striking techniques on tombak and daf, generating dense polyrhythmic structures that can sound like an ensemble. His 2025 album Nexus on Latency opens with Zendegi, built from the rhythm of "Woman, Life, Freedom."

Kaifeng-born musician, DJ, producer, and sound artist (London) known for her monthly NTS Radio show moving between dub techno, ambient and club. Her 2026 album Foundry on Short Span follows Yellow River Blue (bié Records, 2021).

Pianist and composer (Brussels) working at the intersection of contemporary piano and glitch-pop, folding piano lines into deconstructed electronics and murmured multilingual text. Her debut wow, x (2024, VIERNULVIER) was her first release under her own name.

Electroacoustic composer (Stockholm) processing field recordings and acoustic instruments through cycles of re-amplification and synthesis, building durational drone works where acoustic and electronic sources become indistinguishable. His album Glory Fades (January 2025, XKatedral) was made with Yair Elazar Glotman.

Austrian–Ethiopian harpist (London) using live electronics to push the harp into unfamiliar territory. Collaborator of Floating Points, Ganavya, and Shabaka Hutchings; her trio Flur's debut album Plunge appeared in September 2025 on Latency.